19 ¼¼±â ¼¾ç¹Ì¼ú»ç¿¡´Â ½Å°íÀüÁÖÀÇ, ³¶¸¸ÁÖÀÇ, ÀλóÁÖÀÇ, ÈıâÀλóÁÖÀÇ ±×¸®°í ½Éº¼¸®ÁòÀÇ ÈdzÀÌ ºÎħÀ» ÀÌ·ç°í, »óÈ£¿µÇâÀ» ³¢Ä¡¸ç, 20 ¼¼±â ±ÙÇö´ë¹Ì¼ú»ç¿¡ °¨¼ºÀû,±â¼úÀû À¯»êÀ» ³²±ä´Ù.
½Å°íÀüÁÖÀÇ(Neo-Classicism)
18 ¼¼±â Áß±â - 19 ¼¼±â ¸»±â, ºÏÀ¯·´¿¡¼ À¯Çà, °í´ë ±×¸®½º/·Î¸¶ÀÇ ÈdzÀ» Ãß±¸, ÀüÀï, ¿µ¿õ µî Á¤Ä¡Àû ÁÖÁ¦¸¦ ±×¸²
NeoClassicism,Achilles Receiving the Envoys of Agamemnon,Jean Auguste Dominique Ingres
NeoClassicism,The Death of Socrates,1787,Jacques-Louis David
³¶¸¸ÁÖÀÇ(Romanticism)
18 ¼¼±â Á߱⠽ÃÀÛ, ±Ù´ëÇö½ÇÀÇ µµÇǶó´Â Ãø¸é¿¡¼ ·Î¸ÇƼ½ÃÁòÀº »ê¾÷Çõ¸í°ú °è¸ùÁÖÀÇÀÇ¿¡ ¹Ý´ëÀÇ ¿µÇâÀ» ¹ÞÀ½
Romanticism,Pacific,1898,Isaac Levitan
Romanticism,Shipwreck,1759,Joseph Vernet
Romanticism,The Lady of Shalott,1888,John William Waterhouse
Romanticism,Waterfalls at Subiaco,1812,Joseph Anton Koch
ÀλóÁÖÀÇ(Impressionism)
1870 - 1880 µ¶¸³Àü½Ãȸ¸¦ ¿¾úÀü ÀÏ´ÜÀÇ ÇÁ¶û½º Æĸ®¸¦ Áß½ÉÀ¸·Î È°µ¿ÇÑ È°¡µé¿¡ ÀÇÇØ ½ÃÀÛ, 'ÀλóÁÖÀÇ'¶ó´Â À̸§Àº ²ø·Îµå ¸ð³×(Claude Monet)ÀÇ ÀÛÇ° 'Impression, soleil levant (Impression, Sunrise)' ¿¡¼ ±â¿ø, »ó´ëÀûÀ¸·Î °¡º¿î ºê·¯½¬½ºÆ®·ÎÅ©, °³¹æÀûÀÎ ±¸¼º, (½Ã°¡ÀÇÈ帧¿¡ µû¶ó) º¯ÈÇÏ´Â ºûÀ» ¹¦»ç, ÈçÈ÷ º¸ÀÌ´Â »ç¹°ÀÌ ´ë»ó, ´ë»ó¿¡ ´ëÇÑ Àνİú °æÇèÀ» ±×¸²¿¡ ¹Ý¿µ (ÀλóÁÖÀÇ ÀÌÀü dz°æÈ´Â ´ë°³ Ƚǿ¡¼ ±×·ÈÀ¸³ª ÀÌÈÄ ¾ß¿Ü¿¡¼ ±×¸²), ¿ø»öÀ» ¸¹ÀÌ »ç¿ëÇÏ°í, È¥ÇÕ»öÀÇ °æ¿ìµµ °ÅÄ¥°Ô È¥ÇÕÇÏ¿© »ç¿ë.
Impressionism,Boulevard Montmartre,1897,Camille Pissarro
Impressionism,Bridge at Villeneuve-la-Garenne,1872,,Alfred Sisley
Impressionism,Dance at Le Moulin de la Galette,1876,Pierre-Auguste Renoir
Impressionism,Impression, soleil levant,1872,Claude Monet
Impressionism,Lydia Leaning on Her Arms,1879,Mary Cassatt
Impressionism,Paris Street Rainy Day,1877,Gustave Caillebotte
Impressionism,Paysage au bord du Lez,1870,Frédéric Bazille
Impressionism,Plum,1878,Édouard Manet
Impressionism,Reading,1873,Berthe Morisot
Impressionism,Stage Rehearsal,1878–1879,Edgar Degas
Impressionism,The Card Players,1892,Paul Cézanne
Impressionism,The Cliff at Étretat after the Storm,1885,Claude Monet
Impressionism,View of the Saint-Martin Canal Paris,1870,Alfred Sisley
ÈıâÀλóÁÖÀÇ(Post-Impressionism)
¿µ±¹ ºñÆò°¡ Roger Fry°¡ 1910³â 'Manet and Post-Impressionsm' Àü½Ã¸¦ ±âȹÇÏ¸é¼ »ç¿ëµÊ, ÀλóÁÖÀÇ Èdz¿¡ ´õÇØ ±âÇÏÇÐÀû ÇüÅÂ, Ç¥ÇöÈ¿°úÁõ´ë¸¦ À§ÇÑ ÇüÅÂÀÇ º¯Çü, ÀÚ¿¬ÀûÀÌÁö¾ÊÀº ÀÓÀÇÀÇ »ö±ò »ç¿ëµîÀ¸·Î È®Àå
Post-Impressionism,Cruel Tales,1902,Paul Gauguin
Post-Impressionism,Salon at the Rue des Moulins,1894,Henri de Toulouse-Lautrec
Post-Impressionism,Sunday Afternoon on the Island of La Grande Jatte,1884–1886,Georges Seurat
Post-Impressionism,The Hungry Lion Throws Itself on the Antelope,1905,Henri Rousseau
Post-Impressionism,Wheat Field with Crows,1890, Vincent van Gogh
½Éº¼¸®Áò(Symbolism)
19 ¼¼±â ¸» ÇÁ¶û½º, ·¯½Ã¾Æ, º§±â¿¡¿¡ ±â¿øÇÑ ¹®È»çÁ¶, ½ÅÈ, ²Þ µîÀÇ °³ÀÎÀû, »çÀû, ¾Ö¸Å¸ðÈ£ÇÑ À̹ÌÁö¸¦ ±×¸²
Symbolism,Dancing Girl,1871,Elihu Vedder
Symbolism,Demon Seated in a Garden,1890,Michail Wroubrl
Symbolism,Guests from Overseas,1901,Nicholas Roerich
Symbolism,Phantoms,1903,Borisov Musatov
Symbolism,Salomé,1871,Gustave Moreau
Symbolism,The Three Ages of Woman,1905,Gustav Klimt
Symbolism,Tranquility,1904,Mikalojus Ciurlionis