19 ¼¼±â ¼¾ç¹Ì¼ú»ç¿¡´Â ½Å°íÀüÁÖÀÇ, ³¶¸¸ÁÖÀÇ, ÀλóÁÖÀÇ, ÈıâÀλóÁÖÀÇ ±×¸®°í ½Éº¼¸®ÁòÀÇ ÈdzÀÌ ºÎħÀ» ÀÌ·ç°í, »óÈ£¿µÇâÀ» ³¢Ä¡¸ç, 20 ¼¼±â ±ÙÇö´ë¹Ì¼ú»ç¿¡ °¨¼ºÀû,±â¼úÀû À¯»êÀ» ³²±ä´Ù.
½Å°íÀüÁÖÀÇ(Neo-Classicism)
18 ¼¼±â Áß±â - 19 ¼¼±â ¸»±â, ºÏÀ¯·´¿¡¼ À¯Çà, °í´ë ±×¸®½º/·Î¸¶ÀÇ ÈdzÀ» Ãß±¸, ÀüÀï, ¿µ¿õ µî Á¤Ä¡Àû ÁÖÁ¦¸¦ ±×¸²

NeoClassicism,Achilles Receiving the Envoys of Agamemnon,Jean Auguste Dominique Ingres

NeoClassicism,The Death of Socrates,1787,Jacques-Louis David
³¶¸¸ÁÖÀÇ(Romanticism)
18 ¼¼±â Á߱⠽ÃÀÛ, ±Ù´ëÇö½ÇÀÇ µµÇǶó´Â Ãø¸é¿¡¼ ·Î¸ÇƼ½ÃÁòÀº »ê¾÷Çõ¸í°ú °è¸ùÁÖÀÇÀÇ¿¡ ¹Ý´ëÀÇ ¿µÇâÀ» ¹ÞÀ½

Romanticism,Pacific,1898,Isaac Levitan

Romanticism,Shipwreck,1759,Joseph Vernet

Romanticism,The Lady of Shalott,1888,John William Waterhouse

Romanticism,Waterfalls at Subiaco,1812,Joseph Anton Koch
ÀλóÁÖÀÇ(Impressionism)
1870 - 1880 µ¶¸³Àü½Ãȸ¸¦ ¿¾úÀü ÀÏ´ÜÀÇ ÇÁ¶û½º Æĸ®¸¦ Áß½ÉÀ¸·Î È°µ¿ÇÑ È°¡µé¿¡ ÀÇÇØ ½ÃÀÛ, 'ÀλóÁÖÀÇ'¶ó´Â À̸§Àº ²ø·Îµå ¸ð³×(Claude Monet)ÀÇ ÀÛÇ° 'Impression, soleil levant (Impression, Sunrise)' ¿¡¼ ±â¿ø, »ó´ëÀûÀ¸·Î °¡º¿î ºê·¯½¬½ºÆ®·ÎÅ©, °³¹æÀûÀÎ ±¸¼º, (½Ã°¡ÀÇÈ帧¿¡ µû¶ó) º¯ÈÇÏ´Â ºûÀ» ¹¦»ç, ÈçÈ÷ º¸ÀÌ´Â »ç¹°ÀÌ ´ë»ó, ´ë»ó¿¡ ´ëÇÑ Àνİú °æÇèÀ» ±×¸²¿¡ ¹Ý¿µ (ÀλóÁÖÀÇ ÀÌÀü dz°æÈ´Â ´ë°³ Ƚǿ¡¼ ±×·ÈÀ¸³ª ÀÌÈÄ ¾ß¿Ü¿¡¼ ±×¸²), ¿ø»öÀ» ¸¹ÀÌ »ç¿ëÇÏ°í, È¥ÇÕ»öÀÇ °æ¿ìµµ °ÅÄ¥°Ô È¥ÇÕÇÏ¿© »ç¿ë.

Impressionism,Boulevard Montmartre,1897,Camille Pissarro

Impressionism,Bridge at Villeneuve-la-Garenne,1872,,Alfred Sisley

Impressionism,Dance at Le Moulin de la Galette,1876,Pierre-Auguste Renoir

Impressionism,Impression, soleil levant,1872,Claude Monet

Impressionism,Lydia Leaning on Her Arms,1879,Mary Cassatt

Impressionism,Paris Street Rainy Day,1877,Gustave Caillebotte

Impressionism,Paysage au bord du Lez,1870,Frédéric Bazille

Impressionism,Plum,1878,Édouard Manet

Impressionism,Reading,1873,Berthe Morisot

Impressionism,Stage Rehearsal,1878–1879,Edgar Degas

Impressionism,The Card Players,1892,Paul Cézanne

Impressionism,The Cliff at Étretat after the Storm,1885,Claude Monet

Impressionism,View of the Saint-Martin Canal Paris,1870,Alfred Sisley
ÈıâÀλóÁÖÀÇ(Post-Impressionism)
¿µ±¹ ºñÆò°¡ Roger Fry°¡ 1910³â 'Manet and Post-Impressionsm' Àü½Ã¸¦ ±âȹÇÏ¸é¼ »ç¿ëµÊ, ÀλóÁÖÀÇ Èdz¿¡ ´õÇØ ±âÇÏÇÐÀû ÇüÅÂ, Ç¥ÇöÈ¿°úÁõ´ë¸¦ À§ÇÑ ÇüÅÂÀÇ º¯Çü, ÀÚ¿¬ÀûÀÌÁö¾ÊÀº ÀÓÀÇÀÇ »ö±ò »ç¿ëµîÀ¸·Î È®Àå

Post-Impressionism,Cruel Tales,1902,Paul Gauguin

Post-Impressionism,Salon at the Rue des Moulins,1894,Henri de Toulouse-Lautrec

Post-Impressionism,Sunday Afternoon on the Island of La Grande Jatte,1884–1886,Georges Seurat

Post-Impressionism,The Hungry Lion Throws Itself on the Antelope,1905,Henri Rousseau

Post-Impressionism,Wheat Field with Crows,1890, Vincent van Gogh
½Éº¼¸®Áò(Symbolism)
19 ¼¼±â ¸» ÇÁ¶û½º, ·¯½Ã¾Æ, º§±â¿¡¿¡ ±â¿øÇÑ ¹®È»çÁ¶, ½ÅÈ, ²Þ µîÀÇ °³ÀÎÀû, »çÀû, ¾Ö¸Å¸ðÈ£ÇÑ À̹ÌÁö¸¦ ±×¸²

Symbolism,Dancing Girl,1871,Elihu Vedder

Symbolism,Demon Seated in a Garden,1890,Michail Wroubrl

Symbolism,Guests from Overseas,1901,Nicholas Roerich

Symbolism,Phantoms,1903,Borisov Musatov

Symbolism,Salomé,1871,Gustave Moreau

Symbolism,The Three Ages of Woman,1905,Gustav Klimt

Symbolism,Tranquility,1904,Mikalojus Ciurlionis